The Imbayakunas Bringing Andean Sounds to Mariposa
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Sharing the rich Andean sounds of Ecuador, Peru, and Bolivia, The Imbayakunas infuse traditional music with Latin and European influences, playing ancestral instruments ranging from rondador and other pan flutes, to charango and ronrocco (similar to a lute), and cajas (type of drum).
Their distinctive melodies speak to the heart and soul.
Their rhythms range from the pensive, incorporating sounds of the natural world, to the upbeat and the very danceable.
Their large body of work, recorded in Spanish and Quechua (indigenous language), includes 17 albums that showcase a wide repertoire spanning traditional and modern music.
Pacific Curls: Put Your Finger on the Pulse of a Global Sound
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Experiencing a Pacific Curls performance has been described as putting your finger on the pulse of a global sound.
This talented trio has an impressive repertoire featuring the ukulele, cajon (percussion instrument), various other percussive instruments, fiddle, Taonga pūoro (traditional instruments of the Māori people), guitar, stomp box, and kalimba.
With vocals in English, Te Reo Māori (Māori language), and Rotuman (indigenous language of a South Pacific island group), lifted up by backbeat Pacific rhythms, vivacious fiddle playing and evocative Māori instrumentation, Pacific Curls have pioneered a fusion sound that seamlessly blends their indigenous roots.
While their music defies classification, the joy it evokes is universally understood.
Havana-based Son band, Conjunto Chappottín, has been performing since the 1940s.
Currently under the direction of the trumpet player, arranger and musical director, Jesus Angel Chappotín Coto, and the percussionist and singer Miguel Cuni junior, the ensemble is one of the most renowned Son bands in Cuba.
Mixing tres guitar, bass, piano, bongos, conga, 4 trumpets and 4 singers, they’re rooted in traditional son fused with son montuno, guajira, guaracha, mambo, danzón, charanga, Afro-son, bembe, rumba, and cha cha.
During the past twenty years, this popular group has put out an average of one recording per year, and toured regularly in the Americas, Europe and Africa.
After a decade of criss-crossing North America with their Boston-based improvisational rock trio, a fire in a Montréal club proved providential, leading Andrew and Brad Barr in a new musical direction.
On the street with what they could carry, they made friends with a waitress who would become their manager.
Then, after relocating to ‘La Métropole’, they linked-up musically with their new neighbour, harpist Sarah Page, and with multi-instrumentalist and composer, Andres Vial.
The Barr Brothers were formed.
A unique folk sound was also born, one that relies on interwoven string arrangements, wide open spaces, and a multitude of musical traditions.
Now they’re playing fantastic shows and making big waves on the music scene!
Smiles ignite, toes tap and hips swivel when Franco-Ontarian sister group, Ariko, reaches into its quiver of tunes.
Their fiddle-based music takes you on a journey through canadiana, jazz, gypsy swing and Celtic, with a repertoire that is energetic, rich in harmonies, and spiced with a mix of bilingual, traditional and original material.
Ariko has made numerous appearances at Festival du loup and other festivals, various Métis Nation events, and at Sainte-Marie among the Hurons, performing music inspired by their influences ranging from La bottine souriante and Natalie McMaster, to Stéphane Grappelli.
Their album, La première récolte, provides excellent listening.
Elton John’s Lyricist and Songwriting Partner Sings the Praises of Ariana Gillis
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Making a live appearance to launch an album on the Sirius FM show hosted by celebrated American rock writer, Dave Marsh, is a coup for any singer-songwriter.
Bigger still is the response from one Bernie Taupin, Elton John’s lyricist and song writing partner. He said he was “staggered”.
In their lifetimes, few artists will write such profound and quirky tunes, but Ariana Gillis began doing it right out of the gate.
Her gift was evident from her first Mariposa appearance in 2009.
Now, she’s returning with one of the world’s most renowned song lyricists singing her praises.
Best described as a modern day renaissance woman, Sarah Slean has made eight albums, starred in short films and a movie musical, published two volumes of poetry, held exhibitions of her paintings, written two string quartets, and shared the stage with leading orchestras.
She’s been nominated for Junos and Geminis, has released records in over 10 countries, and her music is featured in U.S. movies and television.
The Toronto Star says she’s “an awe-inspiring panorama of a mature poet and musician”.
TIME says she’s “One of the most compelling acts Canada has to offer.”
Such accolades pale in comparison to the live music experience that is Sarah Slean.
Independent artist, JoJo Worthington, is a folk-pop-electro-jazz singer-songwriter who’s making a big impression with her original, catchy tunes.
Best known for singing and playing ukulele, she’s accomplished on the glockenspiel, melodica and other instruments too.
She started writing on guitar at the age of 14, then formed a band so her songs could be heard. By the time she was 16 she had gone solo.
JoJo has performed in Canada, the U.K., and even Hawaii, where she closed for legendary jazz saxophonist, Tom Scott, and ukulele virtuoso, Brittni Paiva.
Two songs on her most recent album have received substantial air play.
Playing tunes in the Zydeco, Cajun, and Americana style, Zydeco Loco reaches deep into the rich musical traditions of the Louisiana bayou for inspiration.
Whether it’s an original song or a reworked classic, their performances are at once piquant, fast in tempo, saucy and joyous. It’s perfect music to liven up the party.
The band is a grouping of some of the best players on the scene, all with many years of live performance under their belts.
They play frottoir (rub board), drums, accordion, piano, organ, bass, fiddle, and mandolin, and they sing like their dinner depends on it.
With a pinch of bluegrass, a dash of rockabilly, and a dollop of neo folk, this 4-piece string band cooks up high-energy live shows, foot-stomping rhythms, trad breaks, and good humour.
Influenced by artists ranging from Johnny Cash and Hank Williams, to Stevie Wonder, The Beatles, The Clash and Fleetwood Mac, The BelleRegards serve-up something for every musical taste, with a heaping helping of indie edge on the side.
Led by a duo of singer-songwriter vocalists, the band’s sound is spiced-up by guitars, mandolin, harmonica, slapped and bowed upright bass, and old-timey fiddle.
They’re good, new-fashioned, foot-stompin’ fun, and we know you’ll find their sound simply ‘delicious’.
Dala Making a Triumphant Return to Mariposa Folk Festival
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Singing in angelic harmony and with infectious joy, Dala makes instant fans of first time listeners.
They’re just as entertaining between songs too, with amusing banter and funny stories making every show unique.
Best friends since high school, this duo has gone on to release five albums and tour extensively.
Back when they were just starting out, they performed at Mariposa as Showcase auditioned artists. They were later welcomed back as established artists. Now, they’re making a triumphant return.
Dala has earned recognition and acclaim on the North American music scene.
Mariposa is proud of the part it played in launching the career of these talented artists.
Irish Performer Niamh Ní Charra Making A Mariposa Appearance
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From County Kerry in the south west of Ireland, Niamh Ní Charra was strongly influenced by the wealth of local Sliabh Luachra musicians.
She started playing at the early age of four, and has gone on to become a multiple award winning fiddle and concertina player.
Niamh toured for eight years as a soloist with Riverdance before returning to Ireland in 2006. Since then, she has toured extensively as a solo artist and with her band, and has performed and recorded with The Chieftains and with Carlos Núñez.
Her recordings have garnered high critical acclaim, and music journalists on both sides of the Atlantic have praised her work.
We are very pleased to welcome this celebrated Irish to our Mariposa Folk Festival stage.
Folk-rock group, The Most Loyal, is Sarah Davignon and a collection of her musical friends.
They have been performing together for the past few years, earning an ever-growing following with every gig.
With one full-length self-titled recording (2013) and an EP, Royal Family (2011), under their belts, now they’re busy recording a follow-up.
Relying on an easy performance style and strong stage presence, these folks put on great live shows.
Their music is grounded in folk, but verges on country and rock.
Combining strong vocals with accomplished playing of piano and organ, bass, nylon strings, drums, and electric guitar, they produce a rich, and very pleasing sound.
Australian Band The Paper Kites Flying Into Mariposa
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A collection of five close friends, a couple of whom wrote and played together as far back as high school, this Australian-based folk band keeps flying higher and higher.
The Paper Kites are known for switching instruments live and for their ethereal, moody sound.
Each of their recordings is a departure from the past. While staying grounded in folk, the progression of their sound, along with their many musical inspirations, has pushed them into a range of genres.
Following the release of their album, States (2013), they made their first foray into North America, selling out a string of shows.
Labour Songs Have Never Sounded Better: Maria Dunn Joins The Mariposa Line-Up
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Often compared to Woody Guthrie for her keen social awareness and unvarnished tunes about the lives of working people, Maria Dunn draws deeply on the folk tradition of storytelling through song.
Melding North American roots music with her Scottish-Irish heritage, her music celebrates the resilience and grace of regular folk.
Her recordings have been received with high critical praise including Piece by Piece (2012), a collection of songs about the resilience and grace of immigrant women working at a Canadian clothing factory over its 93-year history.
Labour songs have a special place in folk music, and this gifted singer-songwriter, guitarist and accordionist, does the genre great justice.
Hearing Zachary Lucky’s songs, it would seem impossible to separate the singer-songwriter from his prairie origins.
Before finding folk music, this grandson of country music artist Smilin’ Johnny Lucky, was a member of two pop bands.
Still only in his mid 20s, Zachary Lucky already has six releases to his credit. On his latest release, The Ballad Of Losing You, there is an inherent shift. As the album title suggests, Lucky has constructed an earnest and personal narrative about the uncertainty of loss and of transformation.
According to No Depression, “Lucky’s songs have lived lifetimes. They sit you down, tell you their stories and heighten your senses to the wonders of nature, love and self”.
His voice is authentic and rich, with a rustic timbre. His guitar playing is easy and natural. It’s a perfect pairing for the particular brand of folk of this artist who is established, yet emerging as a true original.
Check out our Zachary Lucky story board on Pinterest. While you’re there, click on Follow Board to get updates.
HYDRA (featuring AroarA, Feist, Snowblink) to Headline the Saturday Evening Main Stage
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HYDRA came together at the invitation of Feist to represent her most recent album, Metals, in a completely new live format at the Polaris Music Prize Awards. Joined by two husband and wife duos, Snowblink with their rich and textural ‘soundscapes’, and AroarA with their amplified cigar box twin guitar lines, together they conscripted both the jagged and the lush with mutating voices of not one head but three.
Montreal-based AroarA is a creative duo that amplifies cigar box guitars, uses a 404 sampler to trigger mellotrons and black sabbath bells, blends their voices, and plays twin guitar lines. Their album, In The Pines, is based on the work by the same title of American poet Alice
Notley. It interprets a depression era tableaux laced with quotations from the folk, blues and gospel music of that period.
Starting with her 2004 Juno award winning album, Feist hit the ground running fast. Her next album earned her
four Grammy nominations, six Juno wins, the Shortlist Music Prize, and the opportunity to teach Muppets to count on Sesame Street. She made her Saturday Night Live debut, toured the world, covered an album with Beck, recorded with Wilco, saw Stephen Colbert shimmy in a sequined 1234 jumpsuit, and made a documentary. Then, after resting for a while, she released her album, Metals, which inspired the three-headed collaborative project know as HYDRA.
One of the most compelling voices on the Canadian scene, Snowblink is a duo that describes its music as non-denominational devotional pop from California and Canada. Others have called it dreamy electro-folk. This group has opened for the likes of Feist, Jeff Tweedy, Great Lake Swimmers, and The Hidden Cameras on extended tours throughout the U.S., Canada, and Europe. They have also released two albums to critical acclaim.
Virtuoso Experimenter Trevor Gordon Hall Bringing His Unique Musical Styling to Mariposa
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An acoustic instrumentalist, Trevor Gordon Hall could be called virtuoso experimenter.
He collaborated on the redesign of an instrument called the kalimba so that it could be mounted on his guitar.
With this unique pairing of instruments, and compositions ranging in style from driving rhythms to soft melodic phrases, he has caught the attention of some pretty impressive people.
Rock and Roll Hall of Fame inductee, Graham Nash, says Trevor’s music is both soothing and challenging.
Two of his albums were produced by 9-time Grammy winning producer Joe Nicolo of James Taylor, Billy Joel, and Bob Dylan fame.
And, his music has been featured on various radio stations and television networks.
Birds of Chicago is one of the most compelling duos on the Americana music scene.
A fractured country-soul voice wrapped in silver and gold tones, the sound they produce is compelling and honest.
With echoes of mountain gospel, dollops of street corner doo-wop, and the cool vibe of classic soul, their music goes straight to the heart of things.
Almost any night of the year you can find them at some festival, theatre, pub, VFW hall, living room, or roller rink, dovetailing their voices, and singing songs of hope, despair, love, electric seahorses, honey bee apocalypses, and ice cream.
It’s wonderful, original stuff. They’re a must see!
The Harpoonist and The Axe Murderer Bringing Electrifying Blues to Mariposa
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The name may conjure graphic imagery but this dynamic duo is all about kicking out some pretty raw and primal blues.
Armed with a sack of harmonicas, a mess of foot percussion and a road‐worn Telecaster, The Harpoonist and The Axe Murderer pays homage to a decades-deep style of blues, electrifying it with a bolt of new life.
They’re smothered in greasy, gritty soul, and punched up with a little funk.
The music is not polite. In fact, it slaps you on the face and refuses to apologize. But it also cuts through the clutter, anxieties, tensions and phobias of life.
It’s true and real, and that’s how the blues are meant to be played.